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Stronę odwiedzano
10959553 razy |
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Frederic Chopin vol. 1- selectet works transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. Guitar sheet music: Ballade Op. 52, Mazurka Op. 17 No. 4, Nocturne Op. 9 No. 1, Nocturne Op. 48 No. 2, Prelude Op. 28 No. 17, Valse Op. 64 No. 1, Valse 16 Op. posth. 60 pages. A4. (15,90 Euro) |
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Frederic Chopin vol. 2 - selectet works transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. Guitar sheet music: Etude Op. 10 No. 3, Etude Op. 10 No. 11, Fantaisie-Impromptu Op. 66, Nocturne 21 Op. posth., Scherzo Op. 31 No. 2, Polonaise Op. 40 No. 1. 60 pages. A4. (15,90 Euro) |
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Frederic Chopin vol. 3 - selectet works transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. Guitar sheet music: Etude Op. 10 No. 10, Mazurka Op. 59 No. 2, Nocturne No. 20, Nocturne Op. 9 No. 2, Nocturne Op. 15 No. 2, Nocturne Op. 27 No. 2, Prelude Op. 28 No. 4, Prelude Op. 28 No. 15, Prelude Op. 28 No. 20. 60 pages. A4. (15,90 Euro) |
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Frederic Chopin vol. 4 - Conerto in E minor - piano part transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. It should be noted that Jerzy Koenig has an outstanding arranging sense. While most guitarists who undertake transcriptions fit them to their skill, he reverses the rule, transcribing so as to reflect the composer's intention as faithfully as possible, refusing to compromise by making convenient simplifications, and improving his skills to meet the transcription requirements. As an outstanding virtuoso, Jerzy Koenig has proved unequivocally that the works of the greatest piano poet of all time are not only possible to perform on the guitar, but that in this version they gain a new, hitherto unknown quality and depth, revealing even more clearly their lyrical layer and emotional subtlety. The guitar version can also become an inspiration for pianists themselves in their search for subtleties and shades that are not natural for the contemporary piano, and which Chopin undoubtedly had in mind, as we know from historical sources. Listening to these transcriptions, we can imagine what Chopin's music might have sounded like had he been a guitarist. - Jacek Świtacz. 76 pages. A4. (15,90 Euro) |
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Frederic Chopin vol. 5 - Conerto in F minor - piano part transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. It should be noted that Jerzy Koenig has an outstanding arranging sense. While most guitarists who undertake transcriptions fit them to their skill, he reverses the rule, transcribing so as to reflect the composer's intention as faithfully as possible, refusing to compromise by making convenient simplifications, and improving his skills to meet the transcription requirements. As an outstanding virtuoso, Jerzy Koenig has proved unequivocally that the works of the greatest piano poet of all time are not only possible to perform on the guitar, but that in this version they gain a new, hitherto unknown quality and depth, revealing even more clearly their lyrical layer and emotional subtlety. The guitar version can also become an inspiration for pianists themselves in their search for subtleties and shades that are not natural for the contemporary piano, and which Chopin undoubtedly had in mind, as we know from historical sources. Listening to these transcriptions, we can imagine what Chopin's music might have sounded like had he been a guitarist. - Jacek Świtacz. 76 pages. A4. (15,90 Euro) |
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Frederic Chopin vol. 6 - Works for piano and orchestra - piano part transcribed for guitar
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Published by ABSONIC. Arrangment Jerzy Koenig. It should be noted that Jerzy Koenig has an outstanding arranging sense. While most guitarists who undertake transcriptions fit them to their skill, he reverses the rule, transcribing so as to reflect the composer's intention as faithfully as possible, refusing to compromise by making convenient simplifications, and improving his skills to meet the transcription requirements. As an outstanding virtuoso, Jerzy Koenig has proved unequivocally that the works of the greatest piano poet of all time are not only possible to perform on the guitar, but that in this version they gain a new, hitherto unknown quality and depth, revealing even more clearly their lyrical layer and emotional subtlety. The guitar version can also become an inspiration for pianists themselves in their search for subtleties and shades that are not natural for the contemporary piano, and which Chopin undoubtedly had in mind, as we know from historical sources. Listening to these transcriptions, we can imagine what Chopin's music might have sounded like had he been a guitarist. - Jacek Świtacz. 88 pages. A4. (15,90 Euro) |
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